[vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” css_animation=””][vc_column width=”1\/2″][vc_empty_space][vc_empty_space][vc_single_image image=”23242″ img_size=”full” qode_css_animation=””][vc_empty_space][\/vc_column][vc_column width=”1\/2″][vc_empty_space][vc_empty_space][vc_column_text]<\/p>\n
The displaced city is a fiction \/ documentary type proposal that takes the people as a stage to reflect on their past, present and future. The work is presented as an urban action that travels through the streets of Mairena del Alcor while it is broadcast radio in real time, inviting the active participation of spectators and neighbors, who can accompany their tour with radio devices or listen to it remotely. in other parts of the municipality, through Radio Mairena (107.3 FM). The center of Mairena will be the starting point of the work and the specific place will be announced on the radio and by social networks on the days of the functions. This proposal is framed under the concept of “nomad theater”, which follows the line of work done by Jos\u00e9 Miguel Neira as director of the Galaxia Sur Project and which in this opportunity is proposed in co-production with Teatro Habitado to be released within the framework of the eighth edition of Encuentro Emergentes. Concept and direction: Jos\u00e9 Miguel Neira. [\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” css_animation=””][vc_column width=”1\/2″][vc_single_image image=”23210″ img_size=”full” qode_css_animation=””][vc_empty_space][\/vc_column][vc_column width=”1\/2″][vc_column_text]A dog and a group of teenagers are looking for someone to love them in a hot Andalusian summer. My little loves was filmed during July 2018 in Mairena del Alcor and it was possible to see a preview of it in Emergentes 2018. Direction: Sebasti\u00e1n Pereira. Screenplay: Teatro Habitado and Sebasti\u00e1n Pereira. Chamber Assistant: Dar\u00edo Rivera. Cast: Cristina Mateos, Carlota Moreno, Ana P\u00e9rez, Nuria P\u00e9rez, Ana Moreno, Claudia Roca, Mar\u00eda M\u00e9ndez, Einer Eistrup, Juan Manuel Castro, Lucia Sutil, Pilar G\u00f3mez, Ra\u00fal Collantes, \u00c1lvaro Mena. With the special collaboration of Pepa Muriel. Genre: Dramatic Comedy. Format: HD.[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” css_animation=””][vc_column width=”1\/2″][vc_single_image image=”23214″ img_size=”full” qode_css_animation=””][vc_empty_space][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n A Sweet Hello, a piece that explores concepts such as time and its relationship with loneliness, first love and its consequences, and romantic love passed by the contemporary gaze. The work is articulated around a narrative that wants to reconcile the great public with contemporary dance. Draw a story that everyone can come to recognize as their own: Joel is a shy man with a big heart who does not know who to give. Maybe today is your lucky day when you find Lin and exchange a “sweet hello”. Performers: Nadine Gerspacher and Jefta Tanate.<\/p>\n Int\u00e9rpretes: Nadine Gerspacher y Jefta Tanate. <\/em><\/p>\n Director: Nicolas Ricchini. <\/em><\/p>\n M\u00fasica original: Alvaro Arjona & Josep Maria Baldom\u00e0. <\/em><\/p>\n Iluminaci\u00f3n: Lloren\u00e7 Parra. Fotograf\u00eda: Marta Cort\u00e9s Fern\u00e1ndez. <\/em><\/p>\n V\u00eddeo: Johann P\u00e9rez. <\/em><\/p>\n Producci\u00f3n, Gesti\u00f3n, Distribuci\u00f3n: Big Story Performing Arts. Con el soporte de Centre C\u00edvic de la Barceloneta. <\/em><\/p>\n Agradecimientos a Lali Ayguad\u00e9, Jordi Oriol. <\/em><\/p>\n [\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” css_animation=””][vc_column width=”1\/2″][vc_single_image image=”23219″ img_size=”full” qode_css_animation=””][vc_empty_space][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n Ni\u00f1a Astronauta is inspired by the real case of Nicol Aravena, a thirteen-year-old from Villa Alemana who suffered from Xeroderma pigmentosa, a type of skin cancer without healing. Nicol can not leave her room due to the damage caused by the ultraviolet rays of sunlight. However, he is waiting for a suit made by NASA to improve his condition. Inside his room he receives the daily visit of his only friend, Vittorio, and together they seek to give answers to their own difficulties. Nicol’s biggest concern is to leave a mark on the world, which is why he cares so much about the only interview they did, since it offers him the opportunity to perpetuate himself in time as well as the most popular television image in history: Neil Armstrong’s moon walk.<\/p>\n <\/p>\n Direcci\u00f3n y dramaturgia: Eduardo Luna. <\/em><\/p>\n Asistente de direcci\u00f3n: Carolina Castro. <\/em><\/p>\n Elenco: Pamela Alarc\u00f3n y Sebasti\u00e1n Silva. <\/em><\/p>\n Dise\u00f1o de escenograf\u00eda, iluminaci\u00f3n y gr\u00e1fica: Javier Alvarado. <\/em><\/p>\n Dise\u00f1o de vestuario: Karla Rodr\u00edguez. <\/em><\/p>\n V\u00eddeo: Luciano Mu\u00f1oz. <\/em><\/p>\n Producci\u00f3n: Lafamiliateatro, Javiera Severino. <\/em><\/p>\n [\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” css_animation=””][vc_column width=”1\/2″][vc_single_image image=”23221″ img_size=”full” qode_css_animation=””][vc_empty_space][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n An interstellar trip with the company ZH Spacelines ends up injured. Your crew members will be trapped on an inhospitable planet where there is nothing. This situation will start a war of powers and face their stigmas terrestrial. A piece that deals with the isolation, the lack of community of the current society and hope.<\/p>\n Director art\u00edstico: Gen\u00eds Farran. <\/em><\/p>\n Ayudante de direcci\u00f3n: Montse Pelfort. <\/em><\/p>\n Int\u00e9rpretes: Jon Arrizabalaga, Montse Bosch, Saray Gonz\u00e1lez, Montse Pelfort.<\/em><\/p>\n Escenograf\u00eda: Enric Porta. <\/em><\/p>\n [\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” css_animation=””][vc_column width=”1\/2″][vc_single_image image=”23224″ img_size=”full” qode_css_animation=””][vc_empty_space][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n Mimi is inspired by the dualism of Plato, where the human being is a soul conditioned by a body with influences from the earthly environment in which he has lived. It dawns with the birth of Mimi, formed by two independent substances, soul and body, that seek not to separate themselves in the evolution of their existence. It dies with the growth of both, filling with experiences from innocence and curiosity until an external influence comes to seduce them, causing the decisions they make are driven by fear, being trapped in themselves. It dusk with the course of a life that has passed, that can not be changed, but is rewritten for the future. Now, perceiving a change, body and soul reconcile and walk together towards an unknown destination.<\/p>\n Idea original e int\u00e9rpretes: Cristina Salvador y Roc\u00edo Barriga. <\/em><\/p>\n Direcci\u00f3n Musical: Cristina Salvador. <\/em><\/p>\n Direcci\u00f3n Coreogr\u00e1fica: Roc\u00edo Barriga. <\/em><\/p>\n Dise\u00f1o de Iluminaci\u00f3n: Jos\u00e9 Luis Palomino. <\/em><\/p>\n Producci\u00f3n: Alejandro Barriga. .<\/em><\/p>\n [\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” css_animation=””][vc_column width=”1\/2″][vc_single_image image=”23223″ img_size=”full” qode_css_animation=””][vc_empty_space][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n SALT is an approach to the migratory conflict from the vision of the Fil d’Arena dansa-teatre company. It presents a reflection that explores the connections between migration and gender, travel and the difficulties that women face in the search for a better future. The condition of being a migrant woman is added to the migrant’s difficulties. The extreme physical language of the interpreters and the images generated by their bodies invite us to reflect on the role of women in this journey. A piece where ingenuity (humor) and cruelty hang in the same thread. Three women on stage who combine strength and sensitivity through an acrobatic and risky dance. A music that helps us move to different worlds and realities and an interpretation that make SALT a piece that, from the abstract of the dance, goes to the most concrete through texts and evocative images.<\/p>\n Direcci\u00f3n: Fil D’Arena Dansa Teatre. [\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” css_animation=””][vc_column width=”1\/2″][vc_single_image image=”23226″ img_size=”full” qode_css_animation=””][vc_empty_space][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n The piece 43\u00ba13’44”N is the result of the search process of the author in the family and collective memory. It is a story found on the way to another place, where the mechanisms of imagination manage to fill gaps that memory does not have. They are the photos that we did not have time to do, the boats that we did not have time to catch or the bullets that we never had time to take out. A logbook in the form of performance and theater document. Of political biography.<\/p>\n Direcci\u00f3n y Dramaturgia: Olatz Gorrotxategi. <\/em><\/p>\n Int\u00e9rprete: Olatz Gorrotxategi. <\/em><\/p>\n Edici\u00f3n de video: Indi Costa. <\/em><\/p>\n Testimonios: Adolfo Pastor, Angels Berengueres, Carlos Hern\u00e1ndez, Francisco Hernando, Jos\u00e9 Antonio Naves, Jos\u00e9 Luis Muriel, Juli\u00e1n de la Morena, Kepa Sol\u00eds, Liliana Aceves, Mireia Arangoitia, Pilar Mu\u00f1oz, Xabier Roig. <\/em><\/p>\n [\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” css_animation=””][vc_column width=”1\/2″][vc_single_image image=”23228″ img_size=”full” qode_css_animation=””][vc_empty_space][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n I only believe in fire is a game of mirrors that takes texts from writers and lovers Ana\u00efs Nin and Henry Miller (her journals, his novels and, above all, the correspondence between them for 20 years) to make them collapse with the autobiography, the dreams and complexes of \u00c1ngela and Carlos, the creators of the work. With metatheatrical vocation, ruptures in tone and a mutant staging, the work is a delirious journey of space-time jumps that leads us to explore the artistic vocation, the limits and censorship of the creator, autobiography as a channel of inspiration – its causes and consequences-, and the role of sexuality and the unconscious. Inspired by texts by Ana\u00efs Nin and Henry Miller.<\/p>\n Direcci\u00f3n, dramaturgia, interpretaci\u00f3n, escenograf\u00eda, puesta en escena, proyecciones y vestuario: Carlos Mart\u00edn-Pe\u00f1asco y \u00c1ngela Palacios. <\/em><\/p>\n Ayudantes de direcci\u00f3n y dise\u00f1o de luces: Paloma Remolina Gallego y Laura Cort\u00e9s. <\/em><\/p>\n Asistente de iluminaci\u00f3n y sonido: Llu\u00eds Guti\u00e9rrez. Fotograf\u00eda: Carlos Montilla. <\/em><\/p>\n V\u00eddeo: Rub\u00e9n Rocha, Nico Aguerre y Carlos Mart\u00edn-Pe\u00f1asco. <\/em><\/p>\n [\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” css_animation=””][vc_column width=”1\/2″][vc_single_image image=”23229″ img_size=”full” qode_css_animation=””][vc_empty_space][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n WHAT IS THE PRICE OF MY CONSERVATION? I am 33 years old. Since I was born, I use medications. The pharmacy used in me so far has a very expensive price that the government of Spain costs. How much is my life worth? What is the price of my conservation? What system sustains my survival? Pharmacy is the industry in the world with the greatest economic benefit. What happens to the other side of the world so that the Spanish health can buy medicines so expensive to the pharmaceutical? What are the political, economic, social, geographic, etc. circumstances? that allow me to take medication in this part of the world? What would happen to my body if I did not take them? How long would it take to die? [\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” css_animation=””][vc_column width=”1\/2″][vc_single_image image=”23230″ img_size=”full” qode_css_animation=””][vc_empty_space][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n Nuevo Zoologique Mexicano is a work that circulates between performance, dance, theatricality and the museographic exhibition. A reflection and criticism of the folklorization and exoticization of the subaltern world. A showcase, a zoo, a device of power located in public space, where the body of a Mexican folkloric dancer is exhibited, driven and violated by the one who looks from the desire to receive that only he knows how to do, that only he knows be. The expertise concentrates and unfolds, the worldview of a territory in a body, through its movement. The exotic, the different, what bewitches us, the diverse, what catches the eye … is exposed before the eye of the curious, the powerful, the naive, the perverse, the neophyte, the expert, the citizen. An active, current and recontextualized scenic reflection, inspired by the human zoos made at the Universal Exhibition “Jardin Zoologique d’Acclimatation” in Paris at the end of the 19th century. Fair of attractions where they exhibited, in the eyes of European citizens, natives of different latitudes of the world, for being considered wild, barbarous and exotic. Kidnapped and locked in bars against their will for curiosity, entertainment and perversity of visitors.<\/p>\n Direcci\u00f3n y concepto: Rosa Landabur. [\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” css_animation=””][vc_column width=”1\/2″][vc_single_image image=”23231″ img_size=”full” qode_css_animation=””][vc_empty_space][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n “I am a woman. And a warm warmth shelters me when the world hits me. It is the warmth of the other women, of those who made of life this sensitive, fighter corner, with soft skin and tender warrior heart. “Alejandra Pizarnik. Mucha Muchacha is positioned as a risky proposal of Spanish dance, generated by force, the trance of the loop, the effort and the physical exhaustion. The body is truly understood between two worlds: the traditional and the contemporary. From the most natural and organic to the most learned and regulated, and in a sense, artificial. Mucha Muchacha is a dance project of the now, a declaration of intentions around the movement, the community, the femininity and the rite. [\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” css_animation=””][vc_column width=”1\/3″][\/vc_column][vc_column width=”1\/3″] DOWNLOAD PROGRAM 2019<\/a>[\/vc_column][vc_column width=”1\/3″][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” css_animation=””][vc_column][vc_empty_space][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":" [vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” css_animation=””][vc_column width=”1\/2″][vc_empty_space][vc_empty_space][vc_single_image image=”23242″ img_size=”full” qode_css_animation=””][vc_empty_space][\/vc_column][vc_column width=”1\/2″][vc_empty_space][vc_empty_space][vc_column_text] The displaced city is a fiction \/ documentary type…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/emergentes.eu\/en\/wp-json\/wp\/v2\/pages\/23235"}],"collection":[{"href":"http:\/\/emergentes.eu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/emergentes.eu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/emergentes.eu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/emergentes.eu\/en\/wp-json\/wp\/v2\/comments?post=23235"}],"version-history":[{"count":8,"href":"http:\/\/emergentes.eu\/en\/wp-json\/wp\/v2\/pages\/23235\/revisions"}],"predecessor-version":[{"id":23256,"href":"http:\/\/emergentes.eu\/en\/wp-json\/wp\/v2\/pages\/23235\/revisions\/23256"}],"wp:attachment":[{"href":"http:\/\/emergentes.eu\/en\/wp-json\/wp\/v2\/media?parent=23235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nResearch: Jos\u00e9 Miguel Neira, Irmina Majchrzak, Ana Moreno, Andrea Montalb\u00e1n, Carlota Moreno, Cristina Mateos, Luc\u00eda Sutil, Mar\u00eda M\u00e9ndez, Pilar G\u00f3mez and Ra\u00fal Collantes.
\nArtistic collaboration: Raffaella Menchetti, Joaqu\u00edn D\u00edaz, Florencia Wenzel, LauraLiz Gil Echenique, Irmina Majchrzak.
\nPhotography: Luc\u00eda Sutil. Acknowledgments to the Ateneo de Mairena del Alcor and its president, Isidoro P\u00e9rez, the historian Jos\u00e9 Manuel Navarro and the cantaor Calixto S\u00e1nchez.<\/em><\/span><\/p>\n
\nInt\u00e9rpretes: Isabel Abril, Irene Ballester y Roseta Plasencia.
\nAsesor coreogr\u00e1fico: Roberto Olivan.
\nCreaci\u00f3n sonora: Isabel Latorre.
\nDise\u00f1o: Assad Kassab. Iluminaci\u00f3n: Ximo Rojo.
\nVestuario: Los Reyes del Mambo. Producci\u00f3n ejecutiva: Clara Crespo. <\/em><\/p>\n
\nIdea y performer: Juan Jos\u00e9 Morales \u201cTate\u201d.
\nColaboradores del proyecto: Pompeyo Viciana (Investigador m\u00e9dico especializado en VIH).
\nIrmina Majchrzak (Historiadora de Filosof\u00eda).
\nNicholas Chandler (Carpintero).<\/p>\n
\nInt\u00e9rpretes: Alberto Montes y Rolando Hern\u00e1ndez.
\nDise\u00f1o Esc\u00e9nico: Aurelio Palomino. <\/em><\/p>\n
\nDirecci\u00f3n: Mucha Muchacha. <\/em>
\nCoreograf\u00eda: Mucha Muchacha. <\/em>
\nAsesor\u00eda art\u00edstica: Celso Gim\u00e9nez. <\/em>
\nInterpretaci\u00f3n: Ana Bot\u00eda, Marta M\u00e1rmol, Bel\u00e9n Mart\u00ed Lluch y Marina de Remedios. <\/em>
\nDise\u00f1o de vestuario: Las Modistillas Flamencas y Mucha Muchacha. <\/em>
\nRealizaci\u00f3n de vestuario: Las Modistillas Flamencas. <\/em><\/p>\n